Archive
Complete Archive:
Articles and Columns
Assorted Thoughts
Conducted Interviews
Guest Posts
The Inconstant Sun: Newsletter
Jazz & More
Marginalia
Press & Advertorial
Solo Transcriptions
Articles and Columns
- Liner notes to Ímpetu (Juanma Trujillo, Falcon Gumba Records, 2021)
- Liner Notes to Common Practice (Ethan Iverson, ECM, 2019)
- Press Release for Yo Soy la Tradición, Miguel Zenón
- Foreword to Mark Turner: Transcriptions & Essays (Jeff McGregor Music)
- Liner Notes to No Defense (2015, Challenge Records) - Addison Frei Trio
- Da Yeon Seok Quartet (Do The Gig, February 2018)
- Anna Webber Septet (Do The Gig, January 2018)
- Adam O'Farrill's Stranger Days (Do The Gig, December 2017)
- Great On Paper (2016, Endectomorph Music) Press Release
- Program Notes: "Creative Music Convergences" (Harvard University, April 2016)
- "Every Single Tree In The Forest: Mark Turner, As Seen By His Peers" (Music & Literature): Part One + Part Two
- Liner Notes to Dialectics (2015, Cellar Live Records), Curtis Nowosad
- Testimonial for Miles Okazaki's Fundamentals of Guitar: "On IGW"
- A Guitar Listening Session with Miles Okazaki (Jazz Speaks)
- The Jazz Gallery Mentoring Series: Taylor Eigsti and Jeremy Dutton, I, II
- The Book: Ulysses (Harvard Book Review)
- "Artificiality and Creativity" (Guest post for Renée Yoxon's blog)
- Jen Shyu Profile (Jazz Speaks)
- Wynton Marsalis at Harvard (Crimson Arts)
- Flirting with Coherence: 5 Essayettes on Music
- A Look Into Social Class at Harvard
- Play It Like You Mean It: Intentionality in Coltrane and Joyce
- A Brief History of Trolling in the Arts (and Elsewhere)
- EdX: Harvard's New Domain
- The State of Student Activism at Harvard
- "Who is Louis Menand?" — A Profile
- Joshua Redman Profile in The Crimson
- Liner notes to Ímpetu (Juanma Trujillo, Falcon Gumba Records, 2021)
- Liner Notes to Common Practice (Ethan Iverson, ECM, 2019)
- Press Release for Yo Soy la Tradición, Miguel Zenón
- Foreword to Mark Turner: Transcriptions & Essays (Jeff McGregor Music)
- Liner Notes to No Defense (2015, Challenge Records) - Addison Frei Trio
- Da Yeon Seok Quartet (Do The Gig, February 2018)
- Anna Webber Septet (Do The Gig, January 2018)
- Adam O'Farrill's Stranger Days (Do The Gig, December 2017)
- Great On Paper (2016, Endectomorph Music) Press Release
- Program Notes: "Creative Music Convergences" (Harvard University, April 2016)
- "Every Single Tree In The Forest: Mark Turner, As Seen By His Peers" (Music & Literature): Part One + Part Two
- Liner Notes to Dialectics (2015, Cellar Live Records), Curtis Nowosad
- Testimonial for Miles Okazaki's Fundamentals of Guitar: "On IGW"
- A Guitar Listening Session with Miles Okazaki (Jazz Speaks)
- The Jazz Gallery Mentoring Series: Taylor Eigsti and Jeremy Dutton, I, II
- The Book: Ulysses (Harvard Book Review)
- "Artificiality and Creativity" (Guest post for Renée Yoxon's blog)
- Jen Shyu Profile (Jazz Speaks)
- Wynton Marsalis at Harvard (Crimson Arts)
- Flirting with Coherence: 5 Essayettes on Music
- A Look Into Social Class at Harvard
- Play It Like You Mean It: Intentionality in Coltrane and Joyce
- A Brief History of Trolling in the Arts (and Elsewhere)
- EdX: Harvard's New Domain
- The State of Student Activism at Harvard
- "Who is Louis Menand?" — A Profile
- Joshua Redman Profile in The Crimson
Assorted Thoughts
- An Essay on Ives's Aphorisms in Essays Before a Sonata
- When Donald Barthelme Met Miles Davis (Hiding Man: A Biography)
- Charles Ives Played Piano With His Feet
- DFW on Communities and Thinghood (from Signifying Rappers)
- The Anxiety of Jazz Influence: Harold Bloom, Joe Henderson, and Miguel Zenón
- Ingrid Monson's Freedom Sounds
- The Analytic Knife: Robert Pirsig's Zen and the Art of Motorcycle Maintenance
- Ben Ratliff's Coltrane + One Year of A Horizontal Search
- Selections from Ben Ratliff's The Jazz Ear
- Thoughts on Every Love Story is a Ghost Story: A Life of David Foster Wallace
- Externalized Memories and What to Make of Them: Josh Foer's Moonwalking with Einstein
- Wonderfully Gritty: Lines from Margaret Atwood's The Blind Assassin
- Hemingway's Perfect Paragraph in A Farewell to Arms
- The Drama of Pinball in Thomas Pynchon's Gravity's Rainbow, and More
- Garden State Blues: American Pastoral, The Sportswriter, and The Brief Wondrous Life of Oscar Wao
- Applying Descartes's Discourse on Method to Miguel Zenón
- The Limits of Subtlety: Alan Hollinghurst's Booker prize-winning The Line of Beauty
- A Moveable Feast: Hemingway and F. Scott Fitzgerald's Penis Insecurity
- A Few Choice Passages From Jeffrey Eugenides's Pul-Prize-winning Middlesex
- Applying The Gentle Art of Verbal Self-Defense to Jazz Transcriptions
Conducted Interviews
- Interview with Alfredo Colon (Jazz Speaks)
- Interview with Ethan Iverson (Jazz Speaks)
- Interview with Jacob Sacks (Jazz Speaks)
- Interview with Steve Coleman (Jazz Speaks) + Repost on M-Base dot com
- Interview with Miles Okazaki (Jazz Speaks)
- Interview with Miguel Zenón (Jazz Speaks) + Part II
- Interview with Lezlie Harrison and Dale Fitzgerald (Jazz Speaks)
- Interview with Greg Ward (Jazz Speaks) + Part II
- Interview with Jaleel Shaw and Elena Pinderhughes (Jazz Speaks)
- Interview with Herbie Hancock (The Harvard Crimson)
- Interview with Linda Oh (Jazz Speaks)
- Interview with Ben Wendel (Jazz Speaks) + Part II
- Interview with Dan Tepfer (Jazz Speaks)
- Interview with Steve Lehman (Jazz Speaks)
- Interview with Ben van Gelder (Jazz Speaks) + 2013-14 Residency/Commission
- Interview with Fabian Almazan (Jazz Speaks)
Guest Posts
- Christian Li: Variations on Messiaen's "Apparition du Christ glorieux"
- Dan Tepfer: An Interview with Lee Konitz (for Jazz Speaks)
- Curtis Nowosad: Notes from a DIY Debut Album Release
- Matt Aucoin: Classical Music Recommendations for Improvisers
- Kevin Laskey: 5 Classical-Jazz Crossover Albums to Check Out
- Josh Shpak: How to Get the Most Out of Your Jam Session Experience
- Malcolm Campbell: Playing Montunos, Papo Lucca Style
The Inconstant Sun Newsletter
Volume 7 (2020-21)
- Streaming: is streaming the new gigging?
- Deep Breath: new trio album · streaming goings-on · looking forward to 2021
- Year of the Ox: streaming live continues, bird lives recording & more
Complete newsletter archive here.
Jazz & More
- Bird at 100:
- "Confirmation"
- "Fine and Dandy"
- "This Time the Dream's On Me"
- Three Rare Blues Performances
- Recorded & Unrecorded Bird
- Synchronic Bird
- Superlative Bird
- Pres & Bird
- Nine Solos & Notes on Lester Young's 109th Birthday
- Brief Notes on Lester Young's 108th Birthday
- Sonny Rollins at 86
- On Brilhart Copies, C-Melody Saxophones, and DIY Saxophone Cases
- Always Read the Endnotes: Notes on John Coltrane: His Life and Music (Lewis Porter)
- A Conservative Forecast of the Musical Economy, ca. Early Q2, 2015 (Fundamentals of Guitar)
- Teddy Edwards and Early West Coast Bop, I + II
- Andrew Nathaniel White III's TRANE 'n ME (1981)
- Hampton Hawes: Raise Up Off Me
- #jazzBuzzFeed and Jazz Clickbait
- "Jazz" (excerpt from senior thesis)
- Notes on the 2015 Panama Jazz Festival
- Liner Note History II: J.B. Figi on Bud Powell, Lester with Dizzy
- Liner Note History: Doug Watkins, Roy Haynes, and Max Roach
- Performance Art, Mediatization, and Stevie Wonder
- Notes on Imagine the Sound (1981)
- Three Views on Creativity: Keith Jarrett, Shai Maestro, Richard Linklater
- Jazz in Beijing
- Compositions and Rooms
- "Vibe" (excerpt from senior thesis)
- Studies in Studying: Thoughts on Practicing
- Thoughts on "Mo-jazz": Mike Bono's CD Release
- The Bonus Rounds of the Monk Competition
- Dealing with Facebook, Twitter, and Self-Promotion
- Solo Saxophone Recordings
- Music Videos at the Museum of the Moving Image (plus, Nina Simone!)
- Two Piano Intros (Jimmy Rowles and Mose Allison)
- A Few Words by Steve Coleman on Musical Freedom
- Joe Henderson at North Texas State University, 1985
- Notes on Darcy James Argue Masterclass
- Joshua Redman at Harvard
- Harvard Physics Professor on Saxophone Acoustics
- Wisdom from Jimmy Heath: For Young African-Americans and Everyone Else, Too
- "Fuck Wayne Shorter"
- Adversity and Inspiration in A.B. Spellman's Four Jazz Lives
- Young Stan Getz ('45-'49) and His Relationship to Bop — Part II
- Winter Jazzfest Part I — II
- Majoring in Banacos
- Banned Jazz Repertoire, ca. 2012
- Notes on Robert Glasper Masterclass and Interview
- Notes on Fred Hersch Masterclass
- Summer 2012 Retrospective
- Summer 2012: Live Music Catalog
- Dave Chapelle Plays Monk: On the Relationship Between Comedy and Jazz
- A Serpentine Mark Turner Line ("Lennie Groove")
- Kelly Slater, Surfing, and Jazz in the Digital Era
- On Jazz Nerds
- 4 Measures of Ambrose Akinmusire Over an F Blues
- On Jam Sessions: What Are They Really There For?
- On Vibing: Anecdotes from Joe Lovano and Greg Osby
- On Concision: A Count Basie Anecdote
- DIY Brass Saxophone Neckstrap Hook, Inspired by Greg Tardy
- Notes from an Ambrose Akinmusire Masterclass
- Slang, Puns, and Other Wittiness in "Lush Life" and Contrafacts
Marginalia
for minor citations and the like- Les citations classiques de Charlie Parker: le jazz est un oiseau rebelle (Radio France, March 2024)
- Steven Feifke Big Band Review (September 2021)
- Gold Plated 30 M (saxophone restoration by Carlo Cennamo)
- Improvisation (China): This Year, Jazz Musicians Have Something to Say
- Interview with Guy Klucevsek for Do The Math (transcription de moi)
- Interview with Joanne Brackeen for Do The Math (transcription de moi)
- Interview with Cécile McLorin-Salvant for Do The Math (transcription de moi)
- Crossing Language Barriers with Jazz Education in Asia
- "Capturing the Ineffable: Three Transcriptions of a Jazz Solo by Sonny Rollins"
- Interview with Miranda Cuckson for Do The Math (transcription de moi)
- Interview with Tom Harrell for Do The Math (transcription de moi)
- Interview with Ben Ratliff for Do The Math (transcription de moi)
- Interview with Wayne Shorter for Do The Math (transcription de moi)
- Interview with Ron Carter for Do The Math (transcription de moi)
- Interview with Nicholas Payton for Do The Math (transcription de moi)
Press & Advertorial
- "Quotes From Musicians On How to Cultivate Creativity During the Pandemic" (May 2020)
- Jazz Beijing with Luna Interview (Part 1 + Part 2, January 2019)
- Jazz Speaks Interview by Kevin Laskey: Sea of Mysterious Rhythm (May 2019)
- "Advancing the Big Band" (即兴/Improvisation, March 2019)
- Jazz Speaks Interview by Noah Fishman: "THE RIGORS OF LOVE" (May 2018)
- Jazz Speaks Interview by Noah Fishman: "TRIO" (January 2018)
- Radio Interview with Abe Perlstein for Trio (January 2018)
- University of the Arts: Summer Jazz Institute Alumni Feature
- Jazz Speaks Guest Post: Kevin Sun NEW TRIO
- The Undiscoverables Podcast (Earprint), Interview with Donovan Burtan
- "What's On Your Playlist?" (JazzEd feature, November/December 2016)
- Jazz Speaks Interview by Andrew Chow: "Seeking the Radically Unfinished" (Earprint) (October 2016)
Solo Transcriptions
A Cautionary Note:
…it can destroy your development. It can take years to find yourself because of this. You've got to get through all that mess, if you're lucky, to find yourself. Kids are practicing and learning Coltrane solos. What do you want to learn Coltrane’s solo on “Giant Steps” for? What are you supposed to find out? To engage and look at it and study it, yes, but to engage in it physically is contaminating yourself. You start practicing something, and practice don't make perfect, practice makes permanent. You start putting things in yourself, and it's going to take time to get things out of yourself. You might need a big enema for that.
— Henry Threadgill, BBC Interview with Ethan Iverson
— Henry Threadgill, BBC Interview with Ethan Iverson
Solo Transcriptions
- "Basin Street Blues" (1928) - Louis Armstrong, The Complete Hot Fives & Hot Sevens
- "Oh, Lady Be Good!" [alternate take] (1936), Lester Young, Classic 1936-1947 Count Basie & Lester Young Studio Sessions
- "Honeysuckle Rose" [alternate take] (January 21, 1937) - ibid.
- "Exactly Like You" (March 26, 1937) - ibid.
- "One O'Clock Jump" (May 28, 1938) - Lester Young, The Savory Collection, Vol. 2
- "I Know That You Know" (November 16, 1938) - Lester Young, not commercially released
- "Taxi War Dance" [alternate take] (March 19, 1939) - Lester Young, Classic Columbia, Okeh and Vocalion: Lester Young with Count Basie (1936-1940)
- "Twelfth Street Rag" (April 5, 1939) - Lester Young, ibid.
- "Pound Cake" (May 19, 1939) - Lester Young, The Lester Young Story
- "Clap Hands, Here Comes Charlie" (August 4, 1939), Lester Young, America's #1 Band (Count Basie)
- "Body and Soul" (October 11, 1939) - Coleman Hawkins, Body and Soul
- "Bugle Call Rag" (February 28, 1940) - Lester Young, The Savory Collection, Vol. 2
- "Wholly Cats" (October 28, 1940) - Lester Young, The Lester Young/Count Basie Sessions, 1936-40
- "Broadway" (November 19, 1940) - ibid.
- "Beautiful Eyes" (March 10, 1941) - Lester Young, Classic 1936-1947 Count Basie & Lester Young Studio Sessions
- "Dexter Blues" (April 30, 1941) - Charlie Parker, Early Bird
- "Hootie Blues" (ibid.) - ibid.
- "Swingmatism" (ibid.) - ibid.
- "Blues 'n' Boogie" (February 1945) - Dexter Gordon, Groovin' High
- "Groovin' High" (ibid.) - ibid.
- "Hot House" (June 1945) — Charlie Parker, Town Hall, NYC, June 22, 1945
- "Always" (Dec. 1945) - Stan Getz, The Complete Savoy Recordings
- "Opus de Bop" [Master Take, Alt. 1, 2] (July 1946) - ibid.
- "Up in Dodo's Room" [Take 1 and 2] (October 1946) - Teddy Edwards, Howard McGhee on Dial
- "Fine and Dandy" (September 13, 1947) - Charlie Parker, Bands for Bonds
- "Confirmation" (September 29, 1947) - Charlie Parker, Live at Carnegie Hall
- "Groovin' High" (ibid.) - ibid.
- "Blues in Teddy's Flat" (December 1947) - Teddy Edwards, Blues in Teddy's Flat
- "Dizzy Atmosphere (#216)" (March 1948) - Charlie Parker, The Complete Benedetti Recordings
- "White Christmas" (December 1948) - Charlie Parker, Early "Bird"
- "Cherokee" (Feb. 1949) - Bud Powell, Jazz Giant
- "Confirmation" (February 19, 1949) - Charlie Parker, Complete Live Performances on Savoy
- "Cuddles (Speedway)" (March 1949) - Stan Getz, Early Stan
- "Passport (rare)" (May 1949) - Charlie Parker, Complete Charlie Parker on Verve
- "Now's the Time" (October 1949) - ibid., Detroit tape
- "Confirmation" (November 1949) - ibid., Bird's Eyes, Volume 2
- "Sonny Side" (Dec. 11, 1949) - Bud Powell, Sonny Stitt/Bud Powell/J.J. Johnson
- "Sonny Side" (ibid.), Sonny Stitt, ibid.
- "Cheryl" (Dec. 25, 1949) - Charlie Parker, Charlie Parker & Stars of Modern Jazz at Carnegie Hall
- "Always" (ibid.) - Stan Getz, ibid.
- "Confirmation" (February 1950) - Charlie Parker, Bird at St. Nick's
- "Ornithology" (May 17, 1950) - Charlie Parker, One Night at Birdland
- "This Time the Dream's on Me" (ibid.) - Charlie Parker, ibid.
- "'Round Midnight" (ibid.) - Bud Powell, ibid.
- "Fine and Dandy" (May 28, 1950) - Charlie Parker, Apartment Sessions
- "Fine and Dandy" (November 1950) - Charlie Parker, Bird in Sweden
- "Star Eyes" (January 1951) - Miles Davis, The Essential Charlie Parker
- "Fine and Dandy" (February 1951) - Charlie Parker, The Complete Live Performances on Savoy
- "Bloomdido" — Charlie Parker (late spring 1951)
- "Buzzy" — ibid.
- "Confirmation" — ibid.
- "This Time the Dream's on Me" (June 1951) — Charlie Parker, Bird's Eyes, Last Unissued: Volume 1/4
- "Dig" (October 1951) - Sonny Rollins, Dig
- "This Time the Dream's on Me" (1952) — Charlie Parker, The Complete Legendary Rockland Palace Concert 1952
- "Compulsion" (January 1953) - Charlie Parker, Collectors' Items
- "Compusion" (ibid.) — Sonny Rollins, ibid.
- "Fine and Dandy" (February 1953) — Charlie Parker, The Washington Concerts
- "Yardbird Suite" (June 1953) - Stan Getz, West Coast Live
- "This Time the Dream's on Me" (July 1953) — Charlie Parker, At the Open Door
- "Wee-Dot" (February 1954) - Clifford Brown, A Night at Birdland, Vol. 2
- "Room 608" (December 1954) - Hank Mobley, Horace Silver and the Jazz Messengers
- "Line Up" (1954-5) - Lennie Tristano, Lennie Tristano
- "After You've Gone" (June 1955) - Clifford Brown, More Live at the Beehive
- "East of the Sun (And West of the Moon)" (August 1955) - Stan Getz, West Coast Jazz
- "All of Me" (January 1956) - Lester Young, Pres and Teddy
- "Moritat" (June 1956) - Sonny Rollins, Saxophone Colossus
- "Wee, a.k.a., Allen's Alley" (October 1956) - Stan Getz, For Musicians Only
- "Come, Gone" (March 1957) - Sonny Rollins, Way Out West
- "The Way You Look Tonight" (June 1957) - Stan Getz, Sittin' In
- "I Love You" (August 1957) - John Coltrane, Lush Life
- "I'll Remember April" (November 1957) - Sonny Rollins & Wilbur Ware, A Night at the Village Vanguard
- "Sumphin'" (December 1957) - Sonny Rollins, Duets
- "On the Sunny Side of the Street" (December 1957) - Sonny Stitt, Sonny Side Up
- "On the Sunny Side of the Street" - Dizzy Gillespie, ibid.
- "I Know That You Know" - Sonny Rollins, ibid.
- "Sippin' at Bells" (January 1958) - Art Farmer, Cool Struttin'
- "Crazeology" (March 1958) - Scott LaFaro, For Real!
- "Crazeology" (ibid.) - Harold Land, ibid.
- "Crazeology" (ibid.) - Hampton Hawes, ibid.
- "On Green Dolphin Street" (May 1958) - Cannonball Adderley, '58 Sessions
- "Let's Cool One" (August 1958) - Johnny Griffin, Misterioso
- "Straight, No Chaser" (September 1958) - John Coltrane, ibid.
- "How Deep Is the Ocean?" (November 1958) - Ben Webster, Ben Webster Meets Oscar Peterson
- "April" (February 24, 1959) - Bill Evans, Life at the Half Note
- "Blue in Green" (March 2, 1959) - John Coltrane, Kind of Blue
- "St. Thomas" (March 2, 1959) - Sonny Rollins, Live in Stockholm
- "It Don't Mean a Thing" (March 4, 1959) - Henry Grimes, ibid.
- "Sunday" (December 2, 1959) - Gerry Mulligan, Gerry Mulligan Meets Ben Webster
- "Sweet Georgia Brown" (Dec. 19, 1959) - Warne Marsh, Release Record, Send Tape
- "Witchcraft" (December 28, 1959) - Bill Evans, Portrait in Jazz
- "For You, For Me, For Evermore" (January 20, 1960) - Coleman Hawkins, At Ease with Coleman Hawkins
- "Foreground Music" (September 8, 1960) - Warne Marsh, Release Record, Send Tape
- "Birdlike" (1961) - Freddie Hubbard, Ready for Freddie
- "Love for Sale" (1962) - Dexter Gordon, Go
- "Straight Ahead" (April 1, 1963) - Joe Henderson, Una Mas
- "Dear Old Stockholm" (April 29, 1963) - John Coltrane, Impressions
- "Recordame" (June 1963) - Joe Henderson, Page One
- "All The Things You Are" (July 15, 1963) - Paul Bley, Sonny Meets Hawk!
- "Just Friends" (July 18, 1963) - Sonny Rollins, ibid.
- "Hocus-Pocus" (December 1963) - Joe Henderson, The Sidewinder
- "Take the 'A' Train" (April 1964) - Eric Dolphy, Oslo '64 (YouTube)
- "Night and Day" (May 1964) - Stan Getz, Stan Getz and Bill Evans
- "Crescent" (June 1, 1964) - John Coltrane, Crescent
- "One Finger Snap" (June 17, 1964) - Freddie Hubbard, Empyrean Isles
- "One Finger Snap" (Alt. Take) (ibid.) - Herbie Hancock, ibid.
- "Isotope" (November 1964) - Joe Henderson, Inner Urge
- "Fee-Fi-Fo-Fum" (December 1964) - Freddie Hubbard, Speak No Evil
- "Fee-Fi-Fo-Fum" - Wayne Shorter, ibid.
- "Eighty-One" (January 1965) - Wayne Shorter, E.S.P.
- "I'm Confessin' (That I Love You)" [Mast., Tk 1] (1965) - Thelonious Monk, Solo Monk
- "I Want To Talk About You" (April 1965) - John Coltrane, Live at the Half Note (Bootleg)
- "If" (November 1965) - Woody Shaw, Unity
- "If I Were a Bell" (Dec. 1965) - Wayne Shorter, The Complete Live at the Plugged Nickel 1965
- "Star Eyes" (1966) - Bill Evans, A Simple Matter of Conviction
- "Boo-Dah" (August 1967) - Clark Terry, ...And His Mother Called Him Bill
- "Green Chimneys" (Dec. 1967) - Charlie Rouse, Underground
- "Green Chimneys" - Thelonious Monk, ibid.
- "Riot" (March 1968) - Herbie Hancock, Speak Like a Child
- "First Trip" - ibid.
- "On the Trail" - Joe Henderson, Four! (April 1968)
- "Lennie Bird" - Warne Marsh, Two Not One (1975)
- "Gingerbread Boy" (1976) - Woody Shaw, Homecoming
- "Confirmation" (1977) - Hank Jones, Master Class
- "Weeping Willow Rag" (1979) - Henry Threadgill, Air Lore
- "Big Foot" ('80s?) - Freddie Hubbard, Bootleg: Live at the Blue Note
- "The Greene Street Caper" (1981) - Woody Shaw, United
- "Passport" (1989) - Joe Henderson, The Montreal Tapes
- "East of the Sun (and West of the Moon)" (March 1991) - Stan Getz, People Time
- "Isfahan" (Sept. 1991) - Joe Henderson, Lush Life: The Music of Billy Strayhorn
- "Computer 'G'" (1992) - Joe Henderson, Black Hope**
- "Confirmation" (June 1994) - Steve Coleman, Def Trance Beat (Modalities of Rhythm)
- "No More Blues (Chega de Saudade)" (Sept., Nov. 1994) - Joe Henderson, Double Rainbow
- "I Loves You, Porgy" (1995) - Bob Berg, Monterey Jazz Festival: 40 Legendary Years
- "The Man I Love," (Jan. 1997) - Mark Turner, Warner Jams, Vol. 2: The Two Tenors
- "The Plain But The Simple Truth" (ibid.) - James Moody, ibid.
- ibid. - Mark Turner, ibid.
- "Pure Imagination" (May or June 1997) - Mark Turner, Warner Bros. Jazz Christmas Party
- "Head Trip" (1998) - Mark Turner, Turning Point
- "Giant Steps" (2002) - Stevie Wonder, Night School
- "Softly, as in a Morning Sunrise" (April 2005) - Rich Perry, Oatts & Perry
- "Moment's Notice" (October 14-15, 2005) - Mark Turner, Billy Hart Quartet
- "Wee" (2006) - Rich Perry, Live at the Kitano, Vol. 2
- "Deeper Than Happy" (February 2011) - Dayna Stephens, Initial Here
- "Actions Speak" (August 2011) - Vijay Iyer, Accelerando
- "South Hampton" (March 2013) - Mark Turner, Billy Hart Quartet: Live at Dizzy's
- "Along Came Betty" (September 2013) - Mark Turner, JB4: Live at The Jazz Gallery
- "Along Came Betty" (2014) - Mark Turner, Mark Turner Quartet at Hotel Ochsen, Muri
- "Ow!," Dizzy Gillespie (1947)
- "Motion," Jimmy Raney and Stan Getz, Early Stan (1953)
- "Wildflower," Herbie Nichols, Herbie Nichols Trio (1956)
- "Scrapple from the Apple" (arrangement), Lee Konitz, Live at the Half Note (1959)
- "Is That So?," Duke Pearson, Honeybuns (1965)
- "Isfahan" (saxophone backgrounds), Billy Strayhorn, Far East Suite (1966)
- "Hey, It's Me You're Talking To," Victor Lewis, Know It Today, Know it Tomorrow (1992)
- "Tender Trap" (arrangement), Charlie Rouse & Paul Quinichette, The Chase Is On (1957)
- "It Don't Mean a Thing" (arrangement), Dizzy Gillespie & Stan Getz, Diz & Getz (1953)